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1 Dynamic Analysis of the Theater Intelligence Center
Military: DYNATICУниверсальный русско-английский словарь > Dynamic Analysis of the Theater Intelligence Center
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2 Logistics Preparation of the Theater
Military: LPTУниверсальный русско-английский словарь > Logistics Preparation of the Theater
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3 Office of the Theater Chaplain
Military: OTCУниверсальный русско-английский словарь > Office of the Theater Chaplain
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4 Office of the Theater Chief Surgeon
Military: OTCSУниверсальный русско-английский словарь > Office of the Theater Chief Surgeon
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5 Office of the Theater Provost Marshal
Military: OTPMУниверсальный русско-английский словарь > Office of the Theater Provost Marshal
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6 Office of the Theater Quartermaster
Military: OTQУниверсальный русско-английский словарь > Office of the Theater Quartermaster
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7 Theater, Portuguese
There are two types of theater in Portugal: classical or "serious" theater and light theater, or the Theater of Review, largely the Revistas de Lisboa (Lisbon Reviews). Modern theater, mostly but not exclusively centered in Lisbon, experienced an unfortunate impact from official censorship during the Estado Novo (1926-74). Following laws passed in 1927, the government decreed that, as a cultural activity, any theatrical presentations that were judged "offensive in law, in morality and in decent customs" were prohibited. One consequence that derived from the risk of prohibition was that directors and playwrights began to practice self-censorship. This discouraged liberal and experimental theatrical work, weakened commercial investment in theater, and made employment in much theater a risky business, with indifferent public support.Despite these political obstacles and the usual risks and difficulties of producing live theater in competition first with emerging cinema and then with television (which began in any case only after 1957), some good theatrical work flourished. Two of the century's greatest repertory actresses, Amélia Rey-Colaço (1898-1990) and Maria Matos (1890-1962), put together talented acting companies and performed well-received classical theater. Two periods witnessed a brief diminution of censorship: following World War II (1945-47) and during Prime Minister Marcello Caetano's government (1968-74). Although Portuguese playwrights also produced comedies and dramas, some of the best productions reached the stage under the authorship of foreign playwrights: Shakespeare, George Bernard Shaw, Arthur Miller, and others.A major new phase of Portuguese serious theater began in the 1960s, with the staging of challenging plays by playwrights José Cardoso Pires, Luis Sttau Monteiro, and Bernardo Santareno. Since the Revolution of 25 April 1974, more funds for experimental theater have become available, and government censorship ceased. As in so much of Western European theater, however, the general public tended to favor not plays with serious content but techno-hits that featured foreign imports, including musicals, or homegrown musicals on familiar themes. Nevertheless, after 1974, the theater scene was enlivened, not only in Lisbon, but also in Oporto, Coimbra, and other cities.The Theater of Review, or light theater, was introduced to Portugal in the 19th century and was based largely on French models. Adapted to the Portuguese scene, the Lisbon reviews featured pageantry, costume, comic skits, music (including the ever popular fado), dance, and slapstick humor and satire. Despite censorship, its heyday occurred actually during the Estado Novo, before 1968. Of all the performing arts, the Lisbon reviews enjoyed the greatest freedom from official political censorship. Certain periods featured more limited censorship, as cited earlier (1945-47 and 1968-74). The main venue of the Theater of Review was located in central Lisbon's Parque Mayer, an amusement park that featured four review theaters: Maria Vitória, Variedades, Capitólio, and ABC.Many actors and stage designers, as well as some musicians, served their apprenticeship in the Lisbon reviews before they moved into film and television. Noted fado singers, the fadistas, and composers plied their trade in Parque Mayer and built popular followings. The subjects of the reviews, often with provocative titles, varied greatly and followed contemporary social, economic, and even political fashion and trends, but audiences especially liked satire directed against convention and custom. If political satire was not passed by the censor in the press or on television, sometimes the Lisbon reviews, by the use of indirection and allegory, could get by with subtle critiques of some personalities in politics and society. A humorous stereotyping of customs of "the people," usually conceived of as Lisbon street people or naive "country bumpkins," was also popular. To a much greater degree than in classical, serious theater, the Lisbon review audiences steadily supported this form of public presentation. But the zenith of this form of theater had been passed by the late 1960s as audiences dwindled, production expenses rose, and film and television offered competition.The hopes that governance under Prime Minister Marcello Caetano would bring a new season of freedom of expression in the light theater or serious theater were dashed by 1970-71, as censorship again bore down. With revolution in the offing, change was in the air, and could be observed in a change of review show title. A Lisbon review show title on the eve of the Revolution of 25 April 1974, was altered from: 'To See, to Hear... and Be Quiet" to the suggestive, "To See, to Hear... and to Talk." The review theater experienced several difficult years after 1980, and virtually ceased to exist in Parque Mayer. In the late 1990s, nevertheless, this traditional form of entertainment underwent a gradual revival. Audiences again began to troop to renovated theater space in the amusement park to enjoy once again new lively and humorous reviews, cast for a new century and applied to Portugal today. -
8 Theater
The·a·ter <-s, -> [teʼatɐ] ntzum \Theater gehen to go on the stage;\Theater spielen to put on a show, to act; -
9 theater
1 [schouwburg] theatre2 [artistieke productie] dramatic/performing arts ⇒ (the) stage♦voorbeelden:1 die film draait in verschillende theaters • that film is running in several Bcinemas/ Amovie theaters3 hou op met dat theater! • stop putting it on like that! -
10 Theater
n; -s, -2. nur Sg.; (Institution) (the) theat|re (Am. auch -er); (die Bühne) the stage; beim oder im Theater sein have a theat|re (Am. auch -er) job, meist be an actor ( oder actress), act for a living; zum Theater gehen go on the stage; sie will zum Theater ( gehen ) auch she wants to be(come) an actress, she wants to act; ich habe als Student viel Theater gespielt in my university days ( oder when I was a student) I did a lot of acting ( oder I was very into theat|re [Am. auch -er]); ( ganz modernes) Theater machen put on (avant-garde oder ultra-modern) plays; ins Theater gehen go to the theat|re (Am. auch -er); das antike / epische / absurde Theater ancient theat|re / epic theat|re / theat|re of the absurd (Am. auch -er); wann fängt das Theater an? (Vorstellung) when does the performance begin?4. nur Sg.; umg., fig., pej. (Verstellung) play-acting, histrionics Pl. geh.; Theater spielen put on an act; bes. SPORT play-act; das ist alles nur Theater (gespielt) that’s just put on, that’s all play-acting5. nur Sg.; umg., fig., pej. (Aufregung, Ärger) fuss, to-do, excitement, bother, trouble, carry-on; ( jemandem) ein Theater wegen etw. machen kick up a fuss (with s.o.) about s.th.; mach kein Theater! don’t make such a fuss!; ich kriege zu Hause das größte Theater! I’ll get hell at home!; es ist immer das gleiche Theater it’s always the same old carry-on (Am. spiel); das ist vielleicht ein Theater bis alle bereit sind etc.: it’s such a carry-on (Am. to-do) ( schwächer: business); das war ( vielleicht) ein Theater (Aufregung) that was a bit of a flap (if I ever saw one); (Aufwand) that was a (right) carry-on (Am. a huge foofaraw)* * *das Theatertheater; theatre* * *The|a|ter [te'aːtɐ]nt -s, -1) theatre (Brit), theater (US); (= Schauspielbühne) theatre (Brit) or theater (US) company; (= Zuschauer) audiencebeim or am Theáter arbeiten — to work in the theatre (Brit) or theater (US)
er ist or arbeitet beim Ulmer Theáter — he's with the Ulm theatre (Brit) or theater (US) company
heute Abend wird im Theáter "Othello" gezeigt or gegeben — "Othello" is on or is playing at the theatre (Brit) or theater (US) tonight
das Theáter fängt um 8 Uhr an — the performance begins at 8 o'clock
zum Theáter gehen — to go on the stage
ins Theáter gehen — to go to the theatre (Brit) or theater (US)
das französische Theáter — French theatre (Brit) or theater (US)
Theáter spielen (lit) — to act
jdm ein Theáter vormachen or vorspielen (fig) — to put on an act for sb's benefit
das ist doch alles nur Theáter (fig) — it's all just play-acting
das war vielleicht ein Theáter, bis ich... — what a palaver or performance or carry-on I had to... (inf)
das ist (vielleicht) immer ein Theáter, wenn er kommt — there's always a big fuss when he comes
* * *das1) (drama: His special interest is the theatre.) the theatre2) (a place where plays, operas etc are publicly performed.) theatre3) (plays in general; any theatre: Are you going to the theatre tonight?) theatre* * *The·a·ter<-s, ->[teˈatɐ]ntzum \Theater gehen to go on the stage\Theater spielen to put on a show, to act[ein] \Theater machen to make [or create] a fuss fam* * *das; Theaters, Theater1) theatrezum Theater gehen — (ugs.) go into the theatre; tread the boards
beim od. am Theater sein — be or work in the theatre
Theater spielen — act; (fig.) play-act; pretend; put on an act
2) o. Pl. (fig. ugs.) fussmach [mir] kein Theater! — don't make a fuss
* * *im Theater sein have a theatre (US auch -er) job, meist be an actor ( oder actress), act for a living;zum Theater gehen go on the stage;sie will zum Theater (gehen) auch she wants to be(come) an actress, she wants to act;ich habe als Student viel Theater gespielt in my university days ( oder when I was a student) I did a lot of acting ( oder I was very into theatre [US auch -er]);(ganz modernes) Theater machen put on (avant-garde oder ultra-modern) plays;ins Theater gehen go to the theatre (US auch -er);das antike/epische/absurde Theater ancient theatre/epic theatre/theatre of the absurd (US auch -er);wann fängt das Theater an? (Vorstellung) when does the performance begin?das ganze Theater lachte the audience roared with laughter4. nur sg; umg, fig, pej (Verstellung) play-acting, histrionics pl geh;das ist alles nur Theater (gespielt) that’s just put on, that’s all play-acting5. nur sg; umg, fig, pej (Aufregung, Ärger) fuss, to-do, excitement, bother, trouble, carry-on;(jemandem) ein Theater wegen etwas machen kick up a fuss (with sb) about sth;mach kein Theater! don’t make such a fuss!;ich kriege zu Hause das größte Theater! I’ll get hell at home!;es ist immer das gleiche Theater it’s always the same old carry-on (US spiel);das ist vielleicht ein Theater bis alle bereit sind etc: it’s such a carry-on (US to-do) ( schwächer: business);das war (vielleicht) ein Theater (Aufregung) that was a bit of a flap (if I ever saw one); (Aufwand) that was a (right) carry-on (US a huge foofaraw)* * *das; Theaters, Theater1) theatrezum Theater gehen — (ugs.) go into the theatre; tread the boards
beim od. am Theater sein — be or work in the theatre
Theater spielen — act; (fig.) play-act; pretend; put on an act
2) o. Pl. (fig. ugs.) fussmach [mir] kein Theater! — don't make a fuss
* * *- n.theater (US) n.theatre (UK) n. -
11 Theater
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12 the administrative support, theater Army
Military: TASTAУниверсальный русско-английский словарь > the administrative support, theater Army
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13 beim Theater
(the profession of actors: He's in the theatre.) the theatre -
14 de massa stroomde uit het theater naar buiten
de massa stroomde uit het theater naar buitenVan Dale Handwoordenboek Nederlands-Engels > de massa stroomde uit het theater naar buiten
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15 Absurdes Theater
n1. Theater of the Absurd Am.2. Theatre of the Absurd Br. -
16 de bezoekers van het theater
de bezoekers van het theaterVan Dale Handwoordenboek Nederlands-Engels > de bezoekers van het theater
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17 het theater was afgeladen
het theater was afgeladenVan Dale Handwoordenboek Nederlands-Engels > het theater was afgeladen
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18 Четвертая стена, - воображаемая стена, через которую аудитория смотрит на действие, происходящее в театре. The fourth wall is the imaginary wall at the front of the stage in a proscenium theater, throug
General subject: the fourth wallУниверсальный русско-английский словарь > Четвертая стена, - воображаемая стена, через которую аудитория смотрит на действие, происходящее в театре. The fourth wall is the imaginary wall at the front of the stage in a proscenium theater, throug
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19 das ganze Theater
the whole rigmarole -
20 ins Theater gehen
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